Psychology

The Science of Storytelling: 8 key ideas

The core ideas of The Science of Storytelling, each in under a minute, written in our own words. Want the full depth? Get the book.

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  1. IDEA 1 OF 8

    The brain is a storyteller

    Storr argues that the brain constantly builds a model of the world and predicts what will happen.

    Stories appeal to us because they work the same way, showing a world and how it changes.

  2. IDEA 2 OF 8

    Change grabs our attention

    Storr explains that unexpected change is what captures attention in stories.

    Our brains are wired to notice and respond to surprises. Openings often begin with a disruption. Readers lean in when order breaks.

  3. IDEA 3 OF 8

    Characters have a sacred flaw

    Storr describes the sacred flaw, a mistaken belief at the heart of a character's identity.

    Stories test this flaw and force characters to confront it. The flaw feels like truth to them.

  4. IDEA 4 OF 8

    Characters seek control

    Storr argues that characters, like people, have theories about how to control their world.

    Stories show these theories failing and characters having to adapt. Failure creates drama. Readers watch them struggle.

  5. IDEA 5 OF 8

    Wants differ from needs

    Storr explains that characters often want one thing but need another.

    The best stories explore the gap between what they pursue and what would truly help them. This gap creates tension.

  6. IDEA 6 OF 8

    Status drives behaviour

    Storr argues that people care deeply about their status, and characters do too.

    Shifts in status create tension and interest in stories. Readers feel each rise and fall keenly. Status is everywhere.

  7. IDEA 7 OF 8

    Stories reveal the self

    Storr explains that we tell stories about ourselves to make sense of our lives.

    These stories can help or limit us. Changing the story can change the life. Our stories can change.

  8. IDEA 8 OF 8

    Good stories change us

    Storr concludes that great stories show characters changing in meaningful ways.

    Readers respond because they recognise their own struggles. Change is the heart of every good plot, Storr argues. Readers feel it.

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